La Dispute‘s Christmas gift to the world is a remix album for this year’s great Panorama, featuring remixes by Nnamdi, Hether Fortune, Wreck and Reference, Kitty, E.M. Hudson (of Foxing), Zeal & Ardor ...
La Dispute have announced their first album in six years, No One Was Driving The Car. It was self-produced and “heavily inspired” by the 2017 psychological thriller First Reformed, and the title comes ...
With over 20 years under their belt as a band, Michigan’s La Dispute have garnered a following, and reputation, as one of the scene’s most powerful forces. It’s been six years since their last release ...
Paul Schrader’s First Reformed is more than just a fantastic film. The movie, which stars Ethan Hawke as a reverend in the midst of an existential crisis of faith, also inspired the new album from La ...
La Dispute fans have endured a bit of a wait recently, as the band’s most recent album, Panorama, was released in 2019. Soon, the wait will be over, as La Dispute announced No One Was Driving The Car ...
Post-hardcore storytellers La Dispute are officially heading back to Australia, locking in a national headline run this October in support of their latest album, No One Was Driving The Car. The ...
La Dispute have announced their only five shows for the remainder of 2024 globally – which will include a return to Australia to perform at the UNSW Roundhouse in Sydney. The show is set to take place ...
Rooms Of The House showcases La Dispute’s drift out into waters that no one else is swimming in. And while the band is often likened to contemporaries like Touché Amoré as well as past heavyweights ...
La Dispute have released Audiotree From Nothing, their first Audiotree session in 14 years. The live recording includes songs from No One Was Driving The Car, including “Man With Hands and Ankles ...
La Dispute announced Spring 2026 Tour dates that will take the Michigan post-hardcore band across the United States in April and May. La Dispute recently released No One Was Driving the Car, the group ...
Sometimes it's baffling to me how one genre of music can encapsulate so much sound and, ultimately, render its own tag useless. Even within a very specific sub-genre, like post-hardcore, the melodic ...
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