The experience of exile, whether literal or symbolic, is inevitably reflected in an individual’s body. Feeling cut off from one’s roots, or viewing yourself as a stranger in a foreign land, influences ...

When Contemporary Dance Theater founder Jefferson James first moved to Cincinnati with her husband in 1964, there was no real dance scene in the city. “There was sort of a society of ballet studios ...

Dance is an intimate art form. When the pandemic hit and in-person interaction dwindled, dancers went in search of what they could do without a practice floor, a stage, or an audience. As venues open ...

Performances in N.Y.C. Advertisement Supported by Jean-Paul Montanari’s career as the head of Montpellier Danse has been entwined with the rise of contemporary dance as a force in France. By Roslyn ...

Subscribe to The St. Louis American‘s free weekly newsletter for critical stories, community voices, and insights that matter. Sign up Through movement, Carmen de Lavallade shifted culture. Her ...

Today, Italian contemporary dance is searching for itself through choreographic processes of transmission and reconstruction of its recent past, striving to keep alive the actuality of dance works ...

Houston Contemporary Dance Company's primary focus is to provide Houstonians with opportunities to view world class contemporary concert dance and engage with the artists involved, including dancers, ...

Performances in N.Y.C. Advertisement Supported by Thanks to government support — and a collaborative spirit among dance companies — the medium is thriving across the country. By David Belcher ...

Dancer, choreographer and dance educator Shirley Mordine has died. Her five-decade career in Chicago included founding the dance department at Columbia College Chicago and originating the college’s ...

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“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...